Walkei Home Made Antenna

MOSAIC 16/1983
Octagon with "gardens" of dust
TECHNICAL CODE
11-1983-16-11-0.
AUTHOR Filippo Maria Patella.
TITLE AND DATE Mosaic 16/1983.
SUPPORT laminated wood. OVERALL DIMENSIONS
300mm side.
MATERIALS smalti original (Ugo Donà & Sons Company - Cards and dust) and synthetic resins.
TECHNICAL mixed assemblages of mosaic tiles, powders and synthetic resins.
STATE perfect (see picture at lower resolution).
The work is branded on the back with the name, year and serial number.
work is attached is the Certificate of Authenticity (signed by the author) with pictures and technical details, and the warranty of the present owner with photos of the work.
Some issues related to implementing technology in the mosaic (materials, techniques and timing of enforcement action) and research in art of Master Filippo Maria Patella visit the blog:
http://mediartsmosaitec.blogspot.com/
http://filippomariapatella.blogspot.com/
OPERA
in 1983 have only been four mosaics, a different technique. It is a mosaic "special" cards backgrounds (few and irregular) and dust in areas coloristic warm and cold tones of black and white. The eye sweeps over the surface to rest on finding specific angles fascinating details and material exactly as you can only see from the photos. The "gardens" of dust are to the artist a very innovative features from the aesthetic results. COST-BASED DEFINITION

A work art in general (a sculpture, a painting, print), involves material costs (raw materials used, time and quality of labor) and intangible costs (search for specific artists, added value given by the artist and his personal history). A mosaic requires time-consuming, in this case the artist in question, can be quantified in an average of 5 hours of work in order to fully an area of \u200b\u200b100x100mm (a square of 10 cm per side). This mosaic took about 140 hours of manual labor. And these are mandatory minimum time may increase but certainly can not be shortened. For information

gallerie@mediartgm.it

How To Use Digital Antennas

MOSAIC MOSAIC 16/1983 2 / 1984 12/1983

MOSAICO 2/1984
Tessere e polveri dal freddo al caldo
SCHEDA TECNICA
CODICE 12-1984-2-11-43.
AUTORE Filippo Maria Patella.
TITOLO E DATA Mosaico 2/1984.
SUPPORTO Legno listellare.
DIMENSIONI COMPLESSIVE 710x1140mm.
MATERIALI Smalti veneziani originali (Ditta Ugo Donà & Figli - tessere e in polveri), dallas, marble, painted wood and synthetic resins.
TECHNICAL mixed assemblages of marble mosaic, tiles, dallas, painted wood, powders and synthetic resins.
STATE perfect (see picture at lower resolution).
The work is marked on the front with the name of the author and year of composition in a small transparent plate and back - branded - with the name, year and serial number.
work is attached is the Certificate of Authenticity (signed by the author) with pictures and technical details, and the warranty of the present owner with photos of the work. Some issues related to executive
Mosaic Technology (materials, techniques and timing of enforcement action) and research in art of Master Filippo Maria Patella visit the blog:
http://mediartsmosaitec.blogspot.com/
http://filippomariapatella.blogspot.com /
OPERA
in 1984 have only been three mosaics, a different technique. This is the only mosaic yet available, the other two are in private collections. It is a mosaic "classic" cards and backgrounds of dust in areas coloristic hot and cold. The eye sweeps over the surface to rest on finding specific angles fascinating details and material exactly as you can only see from the photos. Do you see cards with mechanical cutting and weaving by hand. The "gardens" of dust are to the artist a very innovative features from the aesthetic results.

COST-BASED DEFINITION
work of art in general (a sculpture, a painting, print), involves material costs (raw materials used, time and quality of labor) and intangible costs (research Art specific added value given by the artist and his personal history). A mosaic requires time-consuming, in this case the artist in question, can be quantified in an average of 5 hours of work in order to fully an area of \u200b\u200b100x100mm (a square of 10 cm per side). This Mosaic took about 300 hours of manual labor. And these are mandatory minimum time may increase but certainly can not be shortened.

Mosaic is available on the site.

http://www.delcampe.net/page/item/id, 78930536, var, MOSAIC-2-1984-DISCOUNT-REMOVAL = EURO-4200-HAND-IN-6000-CARD-Murano-DUST -THE-COLD-HOT, language, I.html

For gallerie@mediartgm.it

World's Most Beautiful Vajinas

MOSAIC 12 / 1983
Marmi in 10 Tipologie e Tonalità
SCHEDA TECNICA
CODICE 8-1983-12-11-25.
AUTORE Filippo Maria Patella.
TITOLO E DATA Mosaico 12/1983.
SUPPORTO Legno listellare.
DIMENSIONI COMPLESSIVE 700x450mm.
MATERIALI Smalti veneziani originali (Ditta Ugo Donà & Figli - in polveri), marmi, legni dipinti e resine sintetiche.
TECNICA Mista con assemblaggi di mosaico in marmi, legni dipinti, polveri e resine sintetiche.
STATO Perfetto (ved. FOTO a bassa risoluzione).
L’opera è marchiata a fire on the front with the name of the author and on the back with the name, year and serial number.
work is attached is the Certificate of Authenticity (signed by the author) with pictures and technical details, and the warranty of the present owner with photos of the work.
Some issues related to implementing technology in the mosaic (materials, techniques and timing of enforcement action) and research in art of Master Filippo Maria Patella visit the blog:
http://mediartsmosaitec.blogspot.com/
http:/ / filippomariapatella.blogspot.com /
OPERA
in 1983 have only been four mosaics, a different technique. It is a mosaic "classical" backgrounds of 10 different types of marble tiles with various sizes. Two painted wood and input of dust. The colors of marble range from pure white to black in Spain.

COST-BASED DEFINITION
work of art in general (a sculpture, a painting, print), involves material costs (raw materials used, time and quality of labor) and intangible costs (research Art specific added value given by the artist and his personal history). A mosaic requires time-consuming, in this case the artist in question, can be quantified in an average of 5 hours of work for fully implementing an area of \u200b\u200b100x100mm (a square of 10 cm per side). This mosaic took about 80 hours of manual labor. And these are mandatory minimum time may increase but certainly can not be shortened. For information

gallerie@mediartgm.it

Lightweight Compact Scope

MOSAIC MOSAIC - MOSAIC MANDALA 2 / 1992

MANDALA MOSAIC 2 / 1992
Pentagon, dust, painted fabrics, synthetic resins, gold
TECHNICAL CODE
30-1992-2-11-0.
AUTHOR Filippo Maria Patella.
TITLE AND DATE Mandala 2 / 1992.
SUPPORT laminated wood. OVERALL DIMENSIONS
480mm. each side of the pentagon. INNER CIRCLE SIZE
480mm. diameter of the circle.
MATERIALS smalti originals (Ugo Donà & Sons Company - in the dust), painted wood, gold and synthetic resins.
TECHNICAL Mixed assemblies with Mosaic, powder, gold, synthetic resins and wood paintings.
STATE perfect (see picture at lower resolution).
The work is branded on both the front with initials, is on back numbers of the mandala, the year of the author and logo.
work is attached is the Certificate of Authenticity (signed by the author) with pictures and technical details, and the warranty of the present owner with photos of the work.
topic pages
CG Jung explains: "The Sanskrit word mandala means circle in general. In the context of religious practices and in psychology it means circular images that you can draw, paint ... Very often contain a mandala or quaternity multiple of four in the shape of a cross, star, square ... In alchemy this is why it has taken the form of squaring Circular. G. Poulet, citing a passage from Rousseau's Lettres, compares the condition of those who delves into his life with that of a spider at the center of its web: "Let us become once again ourselves, with the focus on us, with our soul circumscribe the same limits Nature has given to our being, in a word where we start collecting, so looking to know, you may call at the same time in front of us all that we are composed. " About the mandala, the problems related to implementing technology in the mosaic (materials, techniques and timing of enforcement action) and research in art of Master Filippo Maria Patella visit the blog:
http://mandalartgm.blogspot.com/
http://mediartsmosaitec.blogspot.com/
http://filippomariapatella.blogspot.com/
OPERA
in 1992 were performed by the Master Patella 5 mosaics and this one here has a significant value as it is one of those made with smalti original ancient Ugo Donà & Sons Company, a company no longer active in Venice. Glazes are glassy materials intimately changing colors as the color was not added to the surface but is integral part of the glass material itself. Add the reflectivity of glass surfaces, resins incorporated with gold-toned lightweight. A symbolic circle around the central area varied multicolored with shades of powder (not visible in photo) isolates the nucleus from the little frame mosaic of wood: one created by the surface in one working session and that presents enormous technical difficulties (experts mosaic will include the entity). The center circle absorbs the attention that in turn includes a square of gold dust that contains within it a circle opalescent resin, interspersed with a Greek cross with inserts of dust of various colors, but the grain evenly. Yes should continue to review this mosaic, but it would take away the taste of the discovery of all significantly correlated with research on the mandala.

COST-BASED DEFINITION
work of art in general (a sculpture, a painting, print), involves material costs (raw materials used, time and quality of the workforce) and intangible costs (search for specific artists, added value given by the artist and his personal history). A mosaic requires time-consuming, in this case the artist in question, can be quantified in an average of 5 hours of work in order to fully an area of \u200b\u200b100x100mm (a square di 10 cm di lato). Questo mosaico ha richiesto circa 100 ore di lavoro manuale. E questi tempi minimi sono inderogabili, possono aumentare ma sicuramente non possono essere accorciati. Un ulteriore aggravio è la circostanza che i materiali vetrosi (tessere a vari spessori) - per loro natura costosi - sono da acquistare solo direttamente in fabbrica, a Murano e/o nelle immediate vicinanze. Si aggiunga infine la tecnica usata dall’artista, quella cioè di polverizzare in grane diverse gli smalti veneziani e distenderli in campiture omogenee e/o miscelate: una tecnica rara, innovativa e dai risultati sorprendenti. In questo mosaico le campiture in polveri hanno raggiunto dei risultati veramente esemplari.

Il mosaico è disponibile sul sito:

http://www.delcampe.net/page/item/id,62283470,var,CULT-MANDALA-MOSAICO-2-1992-Pentagono-polveri-tessuti-resine-oro-Murano-Spedizione-gratuita-Italia,language,I.html
Per informazioni gallerie@mediartgm.it